Hatuey: A Memory of Fire: Translating an Opera across Time, Space, Culture and Language

By Deborah Kapchan, in collaboration with Frank London 

When I landed in the Havana airport on January 4th 2017, the air embraced me like a warm sea, the boundaries of my skin loosening in the heat. The airport was teeming with taxi drivers holding signs as well as tourists looking for their ride. I searched for my name to no avail. My driver had not come. So I tried to get Cuban money from a Citibank ATM – in case I needed to get my own taxi – until I noticed the words “for deposit only” above the machine. At that point I went outside to wait, breathing in the tobacco smoke that filled the humid air.

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